Lincoln Goines, Bass
Bill OConnell, Piano
Bill Connors, Guitar
Kim Plainfield, Drums
Produced by Kim Plainfield & Pat Thrall
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BIOGRAPHY
KIM PLAINFIELD, drummer, originally from the San Francisco Bay Area has been based in New York since 1977. He has accumulated numerous performance and recording credits during his professional career, which he started in earnest at the age of 19 when he began playing with Mingo Lewis and subsequently secured the drum chair with the Pointer Sisters.
Some three years later, at the age of 22, Kim moved to New York City where
Kenwood Dennard introduced him to the Drummers Collective. This is where
Kim’s pedagogical career took hold. He then started playing with Bill
Connors, the world-renowned guitarist from Chick Corea’s original Electric
Band, and Didier Lockwood, the unparalleled French jazz violinist.
Recordings, where Kim participated, that deserve mention are “Double Up” and “Assembler” by Bill Connors and “Live At The Olympia” by Didier Lockwood. All three recording are considered icons of contemporary fusion music. Worldwide, Kim is one of the first addresses when looking for modern drumming. His unbelievable technical abilities and versatile musicality bring audiences to enthusiastic amazement. He is a drummer of true and deep and organic musicality.
Kim began to receive international recognition during his seven-year
engagement with Tania Maria. During that period, he toured extensively in
the US, Europe, Central America, South America, The Caribbean and the Far
East. Additional performance and recording credits include Jon Lucien, Andy
Narell, John Pattitucci, Kenny Rankin, Jacques Higelin, Charles Fambrough,
Edgar Winter and Mose Allison.
Kim embarked on a solo career in 1993 and has since been touring Europe as a leader, at least twice a year, to ever increasing audiences and superb press
reviews. To quote some:
“The starring performance of the Kim Plainfield Trio on Saturday in the
Neodrom simply left no wishes unsatisfied for musical strength and creative
richness.” (Josef Fichtner: Musikmagazin Amberg).
“ The concert was an organic whole with perfect technique, taste and yes,
musicality” (Andreas Ascherl: Amberger Stadtnachrichten)
“Kim Plainfield played drums much the same way that (Jon) Lucien sang, in the sense that he created intensity through pure conviction and an unrelenting sense of groove. His superb technical command was obvious, but he never exploited it by setting off percussive fireworks. His fire was constant and very hot.”
(Rick Mattingly: The Courier-Journal)
Kim recently completed his debut CD, a joint project with Lincoln Goines,
and is now a signed recording artist with EFA Records in Europe and Shiosai
Records in Japan. Kim just returned from his debut tour as a leader in
Japan, promoting the release of the Japanese version of his CD entitled
“Night and Day”. This recording effort features the world-class musicians
Jon Lucien, Mino Cinelo, Bill O’Connell, Alex Foster, Didier Lockwood, Myra
Casales, Dan Carillo, Bill Connors, Adam Holzman and Pat Thrall.
As an educator, Kim is Co-Chairman of the Faculty at the Drummers Collective
in New York City where he has taught since 1979. He was an associate
professor at S.U.N.Y. Purchase Music Conservatory from 1993 to 2004 and in the fall of 2002 Kim accepted an Associate Professor position at Berklee School of
Music. His instructional book “Advanced Concepts” is known as the bible of
modern progressive drumming. He has conducted countless clinics in Europe,
the United States, Japan and Central America, as well as extended
artist-in-residence programs at various conservatories in Europe. In
November of 2002 Kim received the distinct honor of being a featured
clinician at the International Percussive Arts Society Convention in
Columbus, Ohio.
4 comments:
you're still the greatest kim...this is Sherman Jones,I studued with you at the collective...
studied sorry...hope all is well...
Hi Mr Kim Plainfield.My name is Muti Blampied, and Im from Argentina.First of all, its an honor for me to write an email!
The reason its, that I buyed a lot of years ago yor book, Advanced Concepts. I used it for a couple of years, and it was really usefull for me, because I was trying to get to the brazilian rythms.The situation is, that now im trying to start to study some things from your book, wich is endless, and I lost the Source Material.I ask here at the library where i used to by my books, and they dont want to give me those pages to at least make a copy or take a photo, because I cant work with some parts of the book without those pages.I dont know if its posible, but I would love to have them, in case that its posible and not a problem.Thanks about your book, really, it open my mind, the "tishh tu toom, tishh tu toom" of the samba, it makes feel great!
Pd: Sorry about my grammar, I did my best!
Cheers !!!
mutiblampied@yahoo.com.ar
Muti
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